Sophie Myles  
tomorow, UV print on 1881 admiralty map, in steel frame 113 x 81 cm 


Signal, UV print on 1967  admiralty map, in steel frame 113 x 81 cm 

Liberté UV print on 1960 admiralty map, in steel frame 113 x 81 cm 

Egalite, UV print on 1955 admiralty map, in steel frame 113 x 81 cm 


Fraternité UV print on 1977 admiralty map, in steel frame 113 x 81 cm 

 
Signal to the Marade  looks at state violence, and attempts to subvert the state's tools of knowledge, by using maps and passports. Combining this with the visual language of reportage. All prints show sets of 5 + 2 AP unless otherwise stated.

Signal to the marade, UV print in old blue british expired passport 18.5 x 14.5cm Set of  20 + 5 AP is available as a photo book , with 13 images printed inside it each passport is unique and has its own travel history, that the images are printed over for 100£ each.

    They may act there dreams (2025), This project explored the split between personal and political spheres overlaying images of protest and well known political figures on top of a year's worth of shopping receipts. Placing these 2 spheres in dialog and questioning the relationship between them. And the imagined equality of something such as eating. Available as scans of original prints, sets of 5 + 2 AP unless otherwise stated.


Im living here Im living here 2022 -2024, focused on the student housing crisis in the UK, exploring the effects of inadequate housing through mixed media participatory methods. Using photography as a tool in order to facilitate wider conversations about renting in the UK.








Canal zone angel,2023- 2025 is a love letter to the city road basin along Regents canal. To show it as I perceived it a respite from London, a place to play match Attax with friends for the sheer novelty of it, It shows community. Available as a A4 Zine


I love you Jesus Christ 2023,This project was shot in Lisbon and focused on 1st and 2nd generation youth questioning the idea of an ethnically stable European state in postcolonial times, further looking at how these groups of people are the margins attempt to build identity for themselves.
Event work portfolio



Sophie Myles’s (b.2004) practice focuses on, use of state power, inequality and methods of control; They attempt to highlight this via the visual language of reportage and seek to distort and question its means of visual representation. This focus comes from their background in politics and training in qualitative research methods.



They are currently working on the project, signal to the marade, focusing on asylum seekers attempting to cross the English Channel, and link bordering infrastructure.



Further they have previously worked on, the projects ‘I love you jesus christ’ focused on 1st and 2nd generation immigrant youth in portugal, as well as ‘im living here’ a project about student housing.


Their practice is based in documentary photography,  activism, and social change. 
She/They 


Instagram sophie.m.sk

Email sophie.myles.work gmail.com

Cofounder of ticket inspector collective

Education

University of York, Social and Political Sciences

Royal College of Art MA photography  








They are currently working on their project, signal to the marade, focusing on asylum seekers attempting to cross the English Channel, and link bordering infrastructure. 



Further they have previously worked on, the projects ‘I love you jesus christ’ focused on 1st and 2nd generation immigrant youth in portugal featured in dazed, as well as ‘im living here’ a project about student housing. 


Their practice is based in documentary photography,  activism, and social change. ff


She/They 




Instagram sophie.m.sk

email -----.myles.work@gmail.com



Cofounder of ticket inspector collective